InJune, Parliament introduced bill C-60, which contains proposed amendments tothe Copyright Act. The bill is one step in an ongoing series of reforms to
The
provisions of the bill that have attracted the most notice among commentators
deal with the liability of internet service providers (ISPs) for copyright
infringement, though the proposed amendments also cover issues relating to
academic and educational use of copyright materials.
"This
is largely a bill about the music industry," says Michael Geist, a professor at
the Faculty of Law of the
"Canada
has been in the process of reforming its copyright laws for 18 years now, with
review and policy study dating further back than that to around 1980," says
Geist.
He
notes that the current phase of reforms of which bill C-60 is a part
reflects objectives identified in a 2002 Industry
"That
report," says Geist, "set out short-, medium-, and long-term priorities for
future copyright reform. There are those who would characterize [bill C-60] as
just the short-term side of it; in fact, the government is planning three
separate consultation papers this fall on different issues."
Last
summer's Supreme Court of
"In that case," says Geist, "the court
affirmed the role of ISPs as intermediaries."
As
long as an ISP acts as a common carrier, it can, in
"This
bill provides statutory confirmation of that status."
The
bill has introduced a system of "notice and notice," by which a copyright
holder can notify an ISP that one of the ISP's subscribers has posted
infringing works. This notice triggers a duty on the ISP to give notice to the
alleged infringer, and to preserve the impugned information for evidentiary
purposes should the copyright holder seek to pursue an action.
Geist
describes the notice-and-notice system as "the de facto system that has been in
place for some time, and has worked if you ask some of the ISPs quite
effectively."
This
system is different from the notice-and-take-down system in effect in some
other countries. Under that system, ISPs are required, upon notice, to remove
potentially infringing content upon notice by the copyright holder.
Also
covered by the legislation, which has only received first reading, is the issue
of rights management information (RMI) tampering. RMI, says Geist, "is
essentially what you'd see on an inside book cover, but in electronic form." It's
information that ties a particular work to a copyright holder, and the
legislation provides sanctions for those who would strip it away in order to
facilitate copyright infringement.
"Most
of the debate this fall, however, will not be about RMI, but rather about
technological measures" says Geist.
Technologies
have been developed that can apply what Geist describes as "a digital lock" to
works protected by copyright. In the
The
educational or academic access aspects of the bill receive a less positive
review from both Geist and Myra Tawfik, a professor at the
Tawfik
believes that in the most recent round of parliamentary hearings on the future
of copyright reform, none of the user groups, including libraries and
educators, made any inroads in shifting the status quo . . . "which is looking
at the issues from what is very much a copyright holders' point of view."
Bill
C-60's educational and academic provisions "offer less to those communities
than the common law does," says Geist.
He
cites the Supreme Court's 2004 CCH Canadian Ltd. v. Law Society of Upper Canada
decision, noting that it goes further than the bill C-60 provisions do. "For
example, the CCH case allowed a librarian at the Great Library to fax a copy of
a decision to a single patron, but bill C-60 allows the patron to be sent an
electronic file that can only be used for seven days."
Geist
characterizes the bill as "embarrassingly poor" on academic use issues.
Tawfik
says CCH "signalled how serious copyright issues have become. The court seemed
to recognize how well-organized copyright interests are, and that they were, in
fact, defining the agenda in a way that may not necessarily be appropriate from
a collective Canadian perspective."
The
problem with bill C-60, she says, "is that it doesn't really deal with user
issues; many of those were really left off the table."
The
term "user rights" has evolved because the law, at least in
The
adoption of a user rights concept by the Supreme Court in CCH reflected the
view of a group of disparate interests "who believe that copyright policy
should be equally about access" as it is about protection, says Tawfik.
Educational
and library rights have traditionally been dealt with, in copyright law, via a
patchwork of dedicated exceptions.
"For
example," she says, "the Copyright Act says that I can reproduce a copyright
work on a whiteboard in a classroom . . . but what if I want to use a
PowerPoint presentation instead? Am I infringing? The law is silent on that."
More
specific, piecemeal amendments are not the answer, according to Tawfik.
Parliament seems content, she notes, to look for ways to apply existing
exceptions to new contexts such as the Internet through legislation like
bill C-60, rather than to undertake a more thoroughgoing review of how these
interests are best addressed.
"Copyright
is very tricky right now, and the issues are much broader than could ever have
been foreseen even 15 years ago," she says.
Narrow,
exception-based drafting seems inadequate to address the ever-changing
technologies in this field.